Hi, I'm jshufelt

I highly recommend TX springs as they ship in a box that doubles as a spring lubing station and they come with their own thin lube as well… Something I’m sure you’d be interested in checking out. I’m currently running their 70g springs in Linjars on my alphas with 78g Sprit springs in Holy Pandas on my mods. Both springs I’d encourage checking out but TX gives you a bit more bang for your buck, and experimental value.


Build #25: Zephyr R2

25 builds! I think it’s safe to declare that I’ve officially fallen down the mechanical keyboard rabbit hole. Let’s celebrate that milestone by getting back to basics - simple, clean colorway, good stabs and switches, and heft. Oh, the heft.

Just in case I forgot what board I was building between looking at the middle of the box and shifting my gaze ever so slightly to look at the band around the box, there’s the brand name again. If that doesn’t trigger your OCD, I don’t know what will.

Opening it up, we’ve got rubber feet, stickers, and a lovely Wilba-designed Zeal65 PCB.

Putting that aside, we’ve got a boxful of Zealios, and tearing away at some tissue paper, our first look at the PVD plate. We’ll be admiring that plate throughout the build, but let’s just say it right now - gorgeous finish.

Here’s a closer look at the Zeal65. As expected, the PCB and artwork is quite lovely, and the key labeling is always a nice feature, particularly when it’s on both sides of the PCB. It’s by no means a necessary feature, but I wish more designers added it to their PCBs.

On a typical build with GMK stabs, I’d need to clip the stabs, lube, and possibly do a bandaid mod of some sort. However, we have pre-installed per-key RGB LEDs on the Zeal65, and in particular, we have LEDs under the stabilizers. The included Zeal stabs are clear, and it seems counterproductive to block the lights with a bandaid mod, so we can skip that step. Zeal stabs have nothing to clip, so we can skip that step too, which just leaves lubing. I originally considered using Christo 111 for the stabs, but I’ve found that 111 is an opaque white color when applied to stabs. So, back to good old SuperLube, which applies in a clear coat, and will let all of that RGB goodness through.

With the stabs installed, it’s always a good idea to check fit, especially with this thick plate. Tight fit, but comfortable.

Before we start installing switches, let’s take a good look at the case and the plate. I went with a clean colorway; black anodized case, silver plate. You can see my potato-pic reflection in that plate, but even then, the photos don’t do it justice.

Likewise, the underside of the case has a PVD-coated weight. 12 screws hold the case assembly together. I might have preferred that those 12 screws be black, but I’m just nitpicking.

The case top and plate have matching cutouts to allow the plate to rest snugly in the case top. Note that we can see some finishing marks on the underside of the plate - look at the bottom edge of the plate, near the opening for the spacebar switch.

Next up - after lubing the switches, we mount them in the plate and solder to the PCB.

The plate is 5mm thick, so even if we wanted to do PCB/plate sound dampening, there’s no room for any dampening material, which further simplifies the build.

With the PVD finish, the plate is a fingerprint magnet - and because it’s made of brass, it’s heavy. How heavy? This heavy.

From this point, it’s just a matter of screwing things together. Normally, I would apply a Sorbothane or perhaps a craft foam layer between the PCB and the case, but between the 5mm brass plate and the heavy case, I wanted to see how this board sounded without those treatments - further simplifying this build. Here’s another potato-pic mirror shot just prior to installing keycaps.

For keycaps, I continued the austere, clean theme, with GMK White on Black. After a lot of flashy over-the-top colorways recently, it’s nice to do one with a classic, simple look.

Lessons learned

  • 5mm brass plates are interesting - I’m not sure whether it’s the weight, the enclosing of each switch housing, or some combination of the two, but there is no plate ping at all. Not a cheap alternative to doing Sorbothane strut mods, but it does make for a quick build with no sound compromises. This makes me curious to try a thick PC or POM plate.
  • I’m torn on PVD finish. It looks so good…for the 0.0023 seconds before the PVD coating is replaced by a smudge and fingerprint coating.
  • There might be a slight sound improvement to be gained from a thin layer of Sorbothane between the PCB and case, but overall, the board has a crisp typing sound which I enjoy. It would be worth trying Sorbo, though, to try to get a handle on how much of the sound is driven by the case vs. the 5mm plate.
  • While it can be fun to get a bunch of disparate components to work together and feel and sound good in a build, there is definitely something to be said for a case/plate/PCB kit with tight tolerances and attention to detail across components. This was a very fast build, because generally, things just worked out of the box.
  • At some point I need to come to terms with layout. I make heavy use of the Windows key, I use CTRL heavily in editors, and I’ve become attached to the QMK left-desktop/right-desktop bindings for the Alt keys. I can still have those things with the 65 layout, but for some reason I haven’t been able to get my fingers to adapt to R3 CTRL, even though it’s clearly an ergonomic improvement.

Mirror-finish PVD, shiny black ano…and dust and fingerprints. Overdue for an upgrade to my photo game.


case: Zephyr R2
case dampening: n/a
PCB: Zeal65 R1
plate: 5mm silver PVD brass
plate/PCB dampening: n/a
stabilizers: Zeal (1x7u, 3x2u)
stabilizer mods: lubed with SuperLube
switches: 67g V2 Zealios
switch mods:
- springs tub-lubed with Krytox GPL 104
- stem and housing hand-lubed with Tribosys 3204
keycaps: GMK White on Black
HxWxD (without caps or feet): 1.31" x 12.62" x 4.5"
HxWxD (without caps): 1.38" x 12.62" x 4.5"
HxWxD: 1.56" x 12.62" x 4.5"
assembled weight: 4.89 lb

This is a beautiful, simple, clean Zephyr.

You know, the things Zephyrs never should be? /s

(all jokes aside this is gorgeous)

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Great build, simple and so classy, love it !

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Build #26: JER mini

Ever since I first saw them, I thought the keycaps in the GMK Triumph Adler 90 numpad kit were great. Just that simple touch of a circle around the legends gives them a unique character (pun intended). When I saw the JER mini, a 65% with an additional four-key column on the left side of the board, I knew I had found the perfect pairing of keyset and kit.

Or so I thought…

Let’s begin with a look at the PCB included with the JER mini kit. You’ll notice the four-key column on the left, but another interesting feature of this board is the indicator placement for the number lock, caps lock, and scroll lock keys, in the lower right of the PCB on a tab that juts out from the board.

Flipping it over.

Clipped and lubed GMK screw-in stabs, in place on the PCB.

If you didn’t already notice, the bag of insulating washers in the first couple of photos wasn’t there for show. For this board, at least one of the stab mount holes looked like a prime candidate for a screw short, so I preemptively placed washers on all of the stab screws. Here’s a closer look at the problem child.

The plate for the JER mini is attractively finished. So attractive, in fact, that I didn’t notice one issue until later in the build. Do you see the problem? We’ll come back to it later.

Here, I’ve mounted three LEDs in the NCS pads just prior to soldering.

A few Tealios have been mounted in the plate and soldered in place for good fit, prior to doing the whole board.

Aside from getting the PCB and plate properly fitted, installing switches in stages also allows me to do the Sorbothane strut mod for sound dampening. Here’s a closer look at one such strut, placed just to the left of the left arrow keyswitch.

All soldered and ready for installation. See the problem with the plate yet? Don’t worry, we’ll get there.

Moving onward, the base of the JER mini has an offset brass weight, screw-mounted into the base. It’s an interesting design choice, and I like it. I’m less fond of the obvious machining marks around the interior corners of the board, but there were no marks of this sort on the exterior, so life goes on.

Smudged brass. It arrived like this. I still haven’t decided if I’m going to try to clean it, or just let it get smudged and develop a “lovely patina”. While we’re here, notice the unusual design of the base, consisting of a front base and back base with different slopes. A little odd, but in an appealingly quirky way. Also endearing: “March 2019.A.D”. Assisting future keyboard historians trying to place this board’s millennium of origin, perhaps?

The user-facing edge of the top of the JER mini also has a quirky look to it. The front edge has a bar which is screw-mounted to the top of the case; this bar covers the NCS indicator LEDs, and provides a slightly rounded bezel on the front of the keyboard. That’s all good and well, but less good and well is what I found when I attempted to attach the bar. I wasn’t getting good fit initially, and upon unscrewing, what do we have here? A helicoil.

The other screw hole had one as well, but at least that one didn’t come out with the screw. Still, disappointing that this was the choice that was made, instead of properly tapping screw holes. This is the first time I’ve seen this in a kit.

I was originally planning to use Sorbothane for PCB/case interaction, but I didn’t have Sorbothane thin enough. I switched to 2mm craft foam, which was about the right thickness - at least given the next issue.

All screwed together, but not well; the screws meant to attach the plate to the case weren’t long enough, so initially, this ended up being a sandwich mount board, look Ma, no screws. Also note that the bar in front is a little out of alignment, due to the screw problems I mentioned earlier, but we’ll correct that later.

Did you figure out the problem with the plate? The cutouts for the plate are on the wrong side for the Enter key’s stabilizer wire, so on the upstroke, the left wire makes contact with the plate. A little bit of additional lube on the underside of the plate above the wire mitigates this to an extent. Still, starting to form an impression of the QC for the design and the kit…

The next issue is all on me, though. Finally, let’s put those beautiful TA90 numpad caps on that southpaw function column, the really cool lettered ones. Nice! Nice? Wait a minute.

When I mentioned the TA90 numpad kit, I left out an important piece of information. This isn’t just a numpad kit - it’s an R0 numpad kit. Somehow, I failed to understand the significance of that until I put the caps on the board. Welcome to the Great Wall of Keycaps. Look at the height of those monsters relative to their partners across the aisle.

So, we switch back to regular R1 function keys. Sigh.

What about the other problems with the board?

  • I switched to M2x6 screws to attach the plate to the case, where I discovered that these holes weren’t tapped much better than the helicoiled ones, but I was able to get enough screws in to hold things together. With the plate mounted as intended, I had to take the craft foam out of the case as there wasn’t enough room for that any longer, but fortunately, the sound wasn’t negatively impacted.
  • I installed a new helicoil in the screw hole for the front bar - not great, but enough to hold things together. I suspect I will need to return to this hole and redo the helicoil or retap the hole.

After all of that, how is the board? Despite all of the QC failures, I like it. The external aesthetics match expectations, and the sound is crisp and clacky without being irritatingly clacky. I suspect the tight tolerance between the PCB and the case has something to do with this clean sound.

Lessons learned

  • This was my first time using bootmapper. A quirky interface, to be sure, but it was able to define macros interactively, something I’ve found missing from other interactive programming tools. All things being equal, however, I’d still prefer QMK if that was an option here. What can I say, I like to code.
  • This was my second time using 205g0 on switches, and I think my application this time around was right on the edge of being too much - I wouldn’t say the switches are sluggish, but they do feel just a tiny bit slower. I’m a bit surprised by this, though, as I only lubed the stems, not the housings, in an attempt to keep exactly this problem from happening, under the theory that switch use would be enough to spread the lube where it needed to go. Clearly more experience is needed.
  • When it comes to fit, finish, and QC, not all kits are created equal. I’m afraid I’ve been spoiled by the level of QC in several other kits I’ve built, and I understand the risks involved in group buys. On the other hand, at the price points of typical custom kits, unmet expectations sting. Welcome to the hobby! In fairness, I note that the GB runner is attempting to address issues that have come up with this GB.
  • I’d really like to understand the effect of internal case volume on sound. I need more boards with tight PCB-to-case tolerances.
  • R0. Gotta pay attention to row profiles! With that said, I see why R0 would be appealing on larger boards and/or boards with wide bezels.

How about GMK TA 90 R2 with an R2-4 numpad?


case: JER mini (light blue)
case dampening: n/a
PCB: JER mini (Bootmapper)
plate: gray aluminum
plate/PCB dampening: Sorbothane strut mod (50 Duro)
stabilizers: GMK screw-in (1x6.25u, 3x2u)
stabilizer mods: clipped, lubed with SuperLube, installed with fiber washers
switches: V2 Tealios
switch mods:
- springs tub-lubed with Krytox GPL 104
- stems hand-lubed with Krytox GPL 205g0
- no housing lube
keycaps: GMK Triumph Adler 90
HxWxD (without caps or feet): 1.13" x 13.38" x 4.56"
HxWxD (without caps): 1.19" x 13.38" x 4.56"
HxWxD: 1.38" x 13.38" x 4.56"
assembled weight: 3.64 lb

Build #27: Koyu Alchemist

In its original sense, alchemy’s concern was the transmutation of matter - the attempt, long discredited, to turn base metals into precious ones. In a more modern sense, alchemy refers to any apparently magical process of transformation. In a mechanical keyboard sense, alchemy most likely refers to DSA Alchemy by @ChrisSwires, a keycap set with muted metal-inspired hues and alchemical symbols for novelties.

When the colorways for the Rama Koyu were revealed, it occurred to me that I might be able to practice some build alchemy of my own…

Let’s start, as we do, with stabilizers. The Koyu PCB has in-switch RGB, and in-spacebar-stabilizer RGB as well. Even though I’ve more or less evolved to the point that I make no use of RGB in my builds or in QMK, the idea of blocking them off triggers my OCD, so I went with translucent Zeal stabs. Gotta keep those lighting options open. Here, we’ve disassembled the stabs just prior to lubing.

And here we are after lubing and reassembly are complete. The Koyu uses 1x7u and 2x2u stabilizers.

The Koyu uses a Wilba-designed PCB, and as you would expect, it’s a lovely PCB.

The Koyu Haze colorway consists of gold for the top half of the case, which includes an integrated plate, as well as a purple base. The PCB is attached to the case top by six screws: three along the bottom row, two on either end of R2, and one centered between R1 and R2. You can see the corresponding gold screw holes on the underside of the PCB, as well as the aforementioned spacebar stabilizer RGB LEDs.

Mounting the PCB with Torx screws.

Checking fit. Satisfying tight tolerances on the stabilizer housings. Note also that the integrated plate is 4.5mm thick, so we won’t be doing any PCB/plate sound treatments - no room for any dampening material!

In keeping with the gold theme, it seems appropriate to use gold switches - TTC Gold V2 reds, specifically. The only exception is the spacebar switch, where I opted to use a Healio to help keep that 7u spacebar volume at a level more consistent with all of the other keys. For all of the switches, I did my usual tub lubing treatment for the springs, but for the stems and housings, I tried a different approach which I used on the JER mini build; specifically, I only lubed the stems, with a focus on making sure that I lubed every possible contact point between the stem and housing. The idea is that time is saved by not doing the housing at all, and allowing contact between the stem and housing to get the lube where it needs to go on the housing.

The Koyu PCB is hotswap, so here we are after mounting switches in sockets:

A daughterboard is used to provide the USB-C connection, and it’s mounted to the Koyu base with more Torx screws. I found it easiest to just stand up the Koyu top vertically alongside the Koyu base while installing these screws. Note also the Koyu weight screwed to the base, adding more heft.

If you didn’t notice the alchemy in the previous photo, we’ll bring it to your attention now. The Koyu Haze colorway consists of a gold top and a purple base. But - that base is silver? Let the transmutation begin! One of the nice features of the Koyu is the interchangeability of the bases and tops from different colorways. I’ve swapped the Haze base for the Mist base, which uses a silver anodization, to better complement (I hope) the silver and gold hues of the DSA Alchemy set.

One of the common complaints about the Rama M60-A was its sound. The case essentially enclosed a significant volume of open space inside the aluminum housing, and keystrokes had a hollow metallic sound on that board when left untreated. The Koyu design is similar (and, in fact, the internal weight from the M60-A is usable on the Koyu as well), and without any dampening, I observed the same metallic, hollow acoustics here, even with the internal weight installed. Further complicating matters, the base does not have the same slope as the PCB above it, which makes the application of materials like Sorbothane more difficult, as those materials work best with even contact between the PCB and the case.

So, I opted for the next best approach - I experimented with some very thin (.04", .08") Sorbothane layers to determine where I might be able to get good contact between the PCB, Sorbothane, and case base. I found that the following placement achieved good contact along R3 and R4, although this picture shows the .04" sheets; I ended up using the .08" sheets in this arrangement. You’ll also note that I left the clear plastic on the Sorb sheets - I didn’t want to run the risk of staining that lovely Rama ano with plasticizers.

In any case, this arrangement proved satisfactory for overall board sound.

In fact, the sound was better than satisfactory. The TTC Gold V2 reds are really quite nice; they deliver a smooth feel on par with Gateron Inks or Tealios IMO, paired with a very tight, crisp sound. I’ll definitely be using these switches again.

As far as DSA Alchemy - other than being DSA, which as a matter of personal preference is not my favorite profile, it’s a very nice keyset. The legends are very clean and the colors are on point for the theme. I originally tried the board with the brightly colored ‘Alchemist’ modifiers, but found that the silver and gold tones exclusively worked best with the gold and silver ano.

Lessons learned

  • Tub lubing switch springs and stem-only manual lubing has been yielding good results for me, both in terms of time efficiency and the end result. I think the key is to get a thin layer of lube around the top “ridge” of the stem; on upstroke, it’s this ridge that impacts the housing.
  • A bit of thin Sorbothane can work wonders for sound dampening, particularly in places like this where tight tolerances make it difficult to do other sound treatments.
  • TTC Golds have a nice sound - in addition to using them stock, it may be worth experimenting with them as an alternative to Pandas for frankenswitches.
  • I prefer solderable boards to hotswap, but when it comes to tuning spacebar sound, being able to quickly swap switches is convenient.

I haven’t yet managed the right incantation to transmute DSA into GMK. But my alchemical labors continue…


case: Rama Koyu Haze (top) + Mist (bottom)
case dampening: squares of 0.08" 40 Duro Sorbothane
PCB: Koyu (hotswap, in-switch RGB)
plate: 4.5mm integrated
plate/PCB dampening: n/a
stabilizers: Zeal V2 (1x7u, 2x2u)
stabilizer mods: lubed with SuperLube
switches: 66x TTC Gold V2 Red, 1x Healio (spacebar)
switch mods:
- springs tub-lubed with Krytox GPL-104
- stems hand-lubed with Tribosys 3203
- no housing lube
keycaps: DSA Alchemy
- alphas, TKL modifiers, alternate, metalic, spacebars
HxWxD (without caps or feet): 1.31" x 13.0" x 5.13"
HxWxD (without caps): 1.38" x 13.0" x 5.13"
HxWxD: 1.56" x 13.0" x 5.13"
assembled weight: 5.27 lb

Amazing as always!
That book illustration is quite the idea. No wonder they weren’t successful at alchemy!
But, I think you were. The build looks really good and the keyset is very complimentary to the board and concept.

I’ve also been focusing more lube on the top parts of the stem just above the rails to help with sound dampening and found that it seems to have the largest impact on sound at least.

Super nice build!


I’m curious to see if anyone correctly identifies the book…


Yeah, I’m thinking that if I can get my desk clean enough, I’ll take enough pictures to get a build log together once my HHKB Tofu comes back from MKUltra. These always wow me, and I definitely want to make one.

So, what’s your verdict on the TTC Golds altogether? I’m deciding between them and a Gateron variant (Fei, Yellows) or Cherry Nature Whites for my Tofu.

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I feel that one lol, biggest reason I haven’t done one of these

Let me at least guess the author with the help of Google :wink:
Is it the Persian Jabir ibn Hayyan ?

Your build logs are nicer each time and this last picture is stunning.

Are you able to read the book ? :stuck_out_tongue:

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Love your build logs man, please keep them coming when you can. I really should do the same as much as I’m building/fixing/changing boards lately. Thing is with me, I always intend on doing a build log & try to take pics of each step. Unfortunately I also always get tunnel vision when building & can just never seem to document the whole process so I can put up a cohesive build log, LOL!

On another note, I agree the helicoils used for mounting points on the JER mini is a disappointing & bad choice. Especially in alum as it’s soft enough of a metal you can tap it by hand. Also I think they installed the helicoils wrong resulting you being able to pull some out. Do they have the helicoils installed in smooth holes like I’m thinking? AFAIK the process for installing helicoils is to first tap the bare hole, next screw the helicoil all the way into the tapped hole, & then bust off the tang of the helicoil to allow it to open up a tiny bit. Using loctite will help hold the helicoil in place even better. Definitely some curious design choices on the JER mini. Glad you got it all together & working well though! :wink:

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I only have experience with the V2 TTC Golds. The reds (linears) seem quite good to me - give them your favorite linear lube treatment, and you’re in business. I was using the Koyu again today, and I really like the sound and feel of the reds. The browns (tactiles) don’t feel nearly as crisp - I haven’t built with them yet, but I’m not expecting to be wowed like I was with the reds. They seem a little loose and sloppy on the bump, and that looseness also takes away some of the sound that makes the reds so appealing.

Nope, that’s not the author - and I’m not able to read the book either. Puts a damper on my transmutation experiments…


Yup, as I remember, the holes were smooth. I think maybe one of them looked like it might have been tapped (poorly). I’m considering retapping the holes and perhaps switching to a screw with wider threads so that I can skip using helicoils entirely (but I have no experience tapping metal, so for all I know this plan might be DOA).

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If it helps, none of my logs were done anywhere near my desk, which is a total disaster area. Don’t let that stop you!

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Honestly that would be the best plan. aluminum is very soft & easy to tap. In fact I would recommend just tapping the holes by hand if they are all smooth (the one that was poorly tapped may need to be drilled smooth first though). If you go to Home Depot or Lowes they both carry tap die kits & all kinds of fasteners so you should be able to find exactly what you need fairly easy & cheap.

As far as the actual tapping process goes it is very straight forward & easy. The hardest part is drilling the holes themselves perfectly straight (easily solved by using a drill press), but that is already done for you with your JER mini. The tap itself you just need to try to keep straight for the first few turns, once it bites it will follow the channel of the hole on it’s own. I found this video that sums up the process really nice & succinctly. GL if you go for it bud! :+1:

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Just want to say I appericate the in depth build guides you make :slight_smile:


Same, i appreciate all the tips and advice you give here :+1:


Build #28: E6.5

If there were any doubts that the mechanical keyboard hobby is exploding in popularity, Exclusive’s E6.5 group buy in March was one of the early warning shots signaling a new phase. Exclusive had intended to run this as a 100-slot first-come-first-served buy, but went to sleep after posting the entry form, woke up to a surprise - far more orders than expected, well beyond the intended 100-order limit - and elected to close the buy after half a day. Rather than impose a 100-order cutoff, Exclusive chose to honor all orders before the GB close: 268, assuming the posted Google form remains accurate, not including a small number of additional orders for a founder’s edition.

While I was pleased that Exclusive chose to err on the side of making people happy, I wondered how this might impact the group buy; we’re all familiar with horror stories of group buys gone bad under increased fulfillment load. How would this story go?

In early August, we found out that orders with the e-black finish, including mine, would have to be changed to another finish, as Exclusive was not happy with the e-black results. For me, not a big deal with the color scheme I had in mind for this build, since black anodization was an alternate option. Nonetheless, between this finish issue and the size of the GB, I expected a substantial delay at that point, so I was pleasantly surprised when shipping commenced a few weeks later and this showed up in late August:

Removing the banderole, here’s the box for the E6.5 kit. Nice packaging.

Opening the box, the first thing you see is a pair of gloves, and a set of Exclusive logo stickers (with a handwritten ‘thank you’ on the back of the sticker sheet). Nice touch.

The PCB has a yellow solder mask with an interesting mesh texture.

The underside of the PCB. Note the 4 LEDs on each side of the board. I hadn’t really given underglow much thought when I joined the buy, but this arrangement made me curious…

As readers of my build logs know, I like to try new things with every build, and this was no exception:

  • Along with two PCBs, I picked up two plates for this board: polycarbonate and aluminum. I wanted to build two plate/PCB assemblies with the same switches in both, to get as direct a sound comparison between the two as I could manage.
  • While I’m a tactile guy, I find that tactiles often have a less precise sound than linears. So in the interests of sound comparison, I went with Gateron Black Inks for both plate/PCB builds.
  • Finally, this board has an interesting gasket mount approach - a silicone O-ring for the entire PCB, positioned in the gap between the plate and PCB. We’ll take a look at that later.

Let’s get to the build. First, because of that gasket placement, I went with snap-in stabilizers, to avoid any issues with the screws on the usual screw-in stabilizers interfering with the gasket placement. Second, since a sound comparison was going to be a central aspect of this project, I wanted the stabilizers to have a clean, crisp sound, and for that, I find Christo 111 to be the best choice. SuperLube imparts a softer stabilizer feel, but I find that it can soften and mute the sound as well, which I didn’t want for this build.

Christo 111 has the nice property that you can’t really overdo it, as you can see here on the stabilizer wires and contact points with the stab housings.

Mounting the Gat Inks and checking alignment. Note the logo cutout on the plate, directly over the logo on the PCB. Sometimes it’s the little details.

One of the features of the E6.5 buy was the option to engrave a badge in the upper right of the case top, using a custom font. Most people seem to have chosen their online handle, but that’s not my thing, so I instead used “E6.5” - simple and direct. I spent a while online trying to find a font that echoed the hexagonal design of Exclusive’s logo. Not quite perfect, but I think it’s in the ballpark.

However, white-engraving-on-white-badge doesn’t have the contrast I had hoped to see…but we’re seasoned veterans here (cough), which is why we ordered an extra badge. Replacing the badge just requires a screwdriver.

There, that’s more like it.

After soldering switches, the aluminum plate/PCB sandwich is ready for the next step.

And the next step is: the gasket! It’s a silicone O-ring with a circular cross-section.

Installation is a matter of placing it between the plate and PCB at one corner of the board, and then stretching it to work it into place around the other corners of the plate/PCB assembly. The O-ring is just elastic enough to allow you to do this. Here’s a look at one corner to show what it looks like when it’s installed, and to give you a look at the snaps for the stabs. You can hopefully see why screws in those holes might have interfered with the gasket.

The E6.5 supports either top-mount or gasket-mount installation. In the former case, the PCB/plate assembly attaches to the top of the case with screws, just like any other top-mount. In the latter case, the PCB/plate assembly just sits in the top half of the case, and screwing the bottom half into place holds the assembly by compression - you don’t need the top-mount screws when you’re doing gasket-mount on this board, which is the direction I went.

We can see what’s going on a little more clearly by looking at the underside of the case top with the PCB/plate assembly resting in place.

And now a brief digression. When I placed my order for this board, I inexplicably failed to order a second gasket for the second plate/PCB assembly. Sigh. I could have just contacted Exclusive and arranged for another one, but this must be something you can just find on Amazon, right? Well, I found one, but it took a couple of weeks to get here, and, well, close but no cigar. This one was a bit shorter and a bit narrower than the original:

However, informed by my first attempt, the second time was the charm. For any E6.5 owners out there - while YMMV, I found a gasket that appears to be a good substitute for the original. As a side benefit, I learned about O-ring specs:

  • The outside diameter (OD), the maximum distance between the outside edges of the O-ring when it’s laid down in a circle;
  • The inside diameter (ID), the maximum distance between the inside edges of the O-ring when it’s laid down in a circle;
  • The cross-sectional width of the gasket.

And, in case you’re wondering, yes, OD = 2 * width + ID, so any two of the three measurements should be sufficient. Without further ado, here’s the second PCB/plate assembly, using the PC plate and the OD=225mm ID=217mm width=4mm O-ring I found on Amazon:

An unanticipated benefit of using the PC plate instead of the aluminum plate is that we can see the positioning of the gasket through the plate.

Back to the build. After screwing the whole thing together, we can take a look at the underside of the E6.5. There are plastic diffusers on either side of the board, so you get underglow from the finger grips if you’re into that sort of thing.

With a PC plate, you’ll get some of that underglow through the top, as well.

OK, so how does it sound and feel? Really good, actually. With lube, the Gat Inks are very smooth and deliver a nice, crisp sound. Given my typical preferences, I expected to prefer the PC plate over aluminum, but at this stage, I’d have to say it’s a tossup: PC provides a softer feel than aluminum, which I generally prefer, but it also takes a bit of the crispness away from the switch sound, and at least in this board, and with these switches, I think the overall experience is slightly better with aluminum. But every time I’ve switched assemblies, I find myself thinking “oh, this is nice”, so again, too close to call.

More generally - the hype is real. The anodization is quite nice (although you will need those gloves if you have an aversion to smudges), and the tolerances are tight. Most importantly for my purposes, this is the first board in a long time where I’ve felt no need to do any sound dampening treatments beyond what the build kit offers, either between the plate and PCB, or in the bottom of the case. This is a comparatively light board by custom standards, less than three pounds fully built. Yet it has a crisp yet liquid sound and feel that I really enjoy - and it’ll be the first linear board I’ve built that will join my regular daily driver rotation. Bravo!

Lessons learned

  • I forget to do this somewhat frequently, so let me drop a reminder here now: before you install the PCB into the case, be sure you have the QMK RESET code available on one of your layers, in the event the PCB’s physical reset button isn’t accessible once the PCB is installed.
  • I lubed the switches with 3203 on the stems and 104 on the springs - nothing on the housings, instead making sure that all stem/housing contact points were lubed on the stems - and once again, this saved time and produced a good result.
  • Gateron Black Inks are now at the top of my linear list. I hope the problems people have been raising with recent Ink batches are atypical, because I’m looking forward to building more boards with these in the future - and this is coming from a tactile guy.
  • If this entire experience is typical of an Exclusive release, then I’m sold. From design to packaging to QC to build experience, attention to detail was solid throughout. I’ll be following his work going forward.
  • The gasket installation and function left me wondering whether it might be possible to retrofit O-rings between the PCB and plate on top-mount boards which didn’t originally offer them.
  • I suspect the gasket is making a substantial difference in terms of sound profile, but as I write this build log, I realize that I didn’t get around to trying the obvious experiment: top-mount, sans gasket, with either PCB/plate assembly. No board is ever done, is it?

Well - this one might be.


case: E6.5
- black anodized aluminum case
- e-white crown-ring weight
- e-black anodized center weight
- e-black badge with white engraving
case dampening: n/a
PCB: E6.5
plates: 1.5mm e-white aluminum, 1.5mm polycarbonate
plate/PCB dampening: silicone O-ring gaskets
- approx dimensions: OD: 225mm ID: 217mm width: 4mm
stabilizers: GMK PCB snap-in
- 2x (1x6.25u, 3x2u)
stabilizer mods: clipped and lubed with Christo-Lube MCG 111
switches: 2x 67x Gateron Black Inks
switch mods:
- springs tub-lubed with Krytox GPL-104
- stems hand-lubed with Tribosys 3203
- no housing lube
- GMK White-on-Black alphas
- GMK Minimal modifiers
HxWxD (without caps or feet): 1.19" x 12.31" x 4.25"
HxWxD (without caps): 1.25" x 12.31" x 4.25"
HxWxD: 1.5" x 12.31" x 4.25"
assembled weight: 2.77 lb